The History of Easter Eggs
The Decorated Easter Egg
The egg is nature's perfect package. It has, during the span of
history, represented mystery, magic, medicine, food and omen. It is the
universal symbol of Easter celebrations throughout the world and has been
dyed,
painted, adorned and embellished in the celebration of its special
symbolism.
Before the egg became closely entwined with the Christian Easter,
it was honored during many rite-of-Spring festivals. The Romans, Gauls,
Chinese, Egyptians and Persians all cherished the egg as a symbol of the
universe.
From ancient times eggs were dyed, exchanged and shown reverence.
In Pagan times the egg represented the rebirth of the earth.
The long,
hard winter was over; the earth burst forth and was reborn just
as the egg miraculously burst forth with life. The egg, therefore, was
believed to have special powers. It was
buried un der the foundations of buildings to ward off evil; pregnant
young Roman women carried an egg on their persons to foretell the sex of
their
unborn children; French brides stepped upon an egg before crossing
the threshold of their new homes.
With the advent of Chrisianity the symbolism of the egg changed to
represent, not nature's rebirth, but the rebirth of man. Christians embraced
the egg
symbol and likened it to the tomb from which Christ rose.
Old Polish legends blended folklore and Christian beliefs and firmly
attached the egg to the Easter celebration. One legend concerns the Virgin
Mary.
It tells of the time Mary gave eggs to the soldiers at the cross.
She entreated them to be less cruel an d she wept. The tears of Mary fell
upon the eggs, spotting them with dots of brilliant color.
Another Polish legend tells of when Mary Magdalen went to the sepulchre
to
anoint the body of Jesus. She had with her a basket of eggs to serve
as a repast.
When she arrived at the sepulchre and uncovered the eggs, lo, the
pure white
shells had miraculous ly taken on a rainbow of colors.
Decorating and coloring eggs for Easter was the custom in England
during
the middle ages. The household accounts of Edward I, for the year
1290, recorded an expenditure of eighteen pence for four hundred and fifty
eggs
to be gold-leafed and colored for Ea ster gifts.
The most famous decorated Easter eggs were those made by the well-known
goldsmith, Peter Carl Faberge. In 1883 the Russian Czar, Alexander,
commissioned Faberge to make a special Easter gift for his wife, the Empress
Marie.
The first Faberge egg was an egg within an egg. It had an outside
shell of platinum and enameled white which opened to reveal a smaller gold
egg.
The smaller egg, in turn, opened to display a golden chicken and
a jeweled replica of the Imperial crown.
This special Faberge egg so delighted the Czarina that the Czar promptly
ordered the Faberge firm to design further eggs to be delivered every
Easter.
In later years Nicholas II, Alexander's son, continued the custom.
Fifty-
seven eggs were made in all.
Ornamental egg designers believe in the symbolism of the egg and
celebrate
the egg by decorating it with superb artistry. Some use flowers
and leaves
from greeting cards, tiny cherubs, jewels and elegant fabrics, braids
and
trims, to adorn the eggs.They are separated, delicately hinged and
glued
with epoxy and transparent cement, then wh en completed, they are
covered with a glossy resin finish. Although the omens and the mystery
of the egg
have disappeared today, the symbolism remains, and artists continue
in the
old world tradition of adorning eggs.
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